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  {"id":7739449344258,"title":"Hecker \u0026 Okkyung Lee LP - Statistique Synthå©Tique \/ Teum (The Silvery Slit)","handle":"hecker-okkyung-lee-lp-statistique-syntha-tique-teum-the-silvery-slit","description":"\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eStatistique Synth„©tique draws as much from the history of computer sound synthesis as from its latest developments. But well beyond developing simply as a proof of concept, this piece aims to transcend the abstract status of synthetic sound objects and lead them to a properly hallucinatory state, that is to say to a meeting point where the object and perception dissolve into each other, in a sort of transcendental field. Beyond, also, hylomorphism, to reach the world of matter-form fusions, where perception knows how to see \"shoulders of hills\", as C„©zanne wrote.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eTeum (the Silvery Slit) is, as the title suggests, an overture, an opening to the game of multiplications, fragmentations, duplications. But it is also the opening understood as the void that blossoms between two borders, a break from which escapes a double tension, both the pulling force of these two edges which move apart and the opposite force of reconciliation, of compression. Okkyung Lee invites us to a truly telluric moment, a rare moment of expression where tectonic movements and shear stresses become music. If the earthquakes were, as we thought in the 18th century, due to underground thunderstorms, there is no doubt that this piece of music, both celestial and continental, could have been their audible manifestation.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eText by Fran„¤ois Bonnet\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eHeckerStatistique Synth„©tique2020 \/ 25'15Computer-generated sound with resynthesized situated texture recordingsWritten and produced by Florian Hecker, 2019 - 2020Texture analysis and resynthesis algorithm: Axel R„¦bel, Analysis\/Synthesis Team, IRCAM, ParisMastered by Rashad BeckerPhoto by Mauricio Guill„©n, 2019\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eThanks to Axel R„¦bel for his commitment to the project and special appreciation to GRM, Luke Fowler, Mauricio Guill„©n, Dirk Mayer and Porta33\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eLocation Texture Recordings, using DPA 4060, DPA 4017B, DPA 4021 and DPA 4060 microphones to Sound Devices 702 recorder; except segment 04:31 - 05:37, recorded by Luke Fowler, April 2019 using Sony M10.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e00:00 - 02:00 Lopud, Croatia, June 200802:00 - 03:12 Ponta do Sol, Madeira, ER 101, April 201903:12 - 04:14 Prentiss St, Cambridge, MA, February 201504:14 - 04:31 Anjos, Ponta do Sol, Madeira, ER 101, April 201904:31 - 05:37 Atelier C„©zanne, Aix-en-Provence, April 201905:37 - 08:31 Anjos, Ponta do Sol, Madeira, ER 101, April 201908:31 - 09:46 Praia dos Anjos, Ponta do Sol, Madeira, ER 101, April 201909:46 - 10:39 Private garden, Kissing, September 200910:39 - 11:15 Praia dos Anjos, Ponta do Sol, Madeira, ER 101, April 201911:15 - 15:11 Porto do Paul do Mar, Calheta, Madeira, April 201915:11 - 16:53 Prinz Eugen Strasse, Vienna, June 200816:53 - 24:27 Risco, Raba„¤al, Madeira, April 201924:27 - 25:15 Bois de Boulogne, Avenue du Mahatma Gandhi, Paris, September 2015\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e:::::::::::::::::::::::::::::\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eOkkyung LeeTeum (the Silvery Slit)2019 \/ 20'03Performed, recorded and composed by Okkyung Lee (ASCAP)Mixed by Lasse MarhaugMastered by Guuseppe IelasiPhoto by Lasse MarhaugPart of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eCut by Andreas Kauffelt at Schnittstelle, Berlin, September 2020Sleeve design by Stephen O'Malley\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eReleased in association with Editions Mego.Coordination GRM: Fran„¤ois Bonnet, Jules N„©grierExecutive Production: Peter Rehberg\u003c\/div\u003e","published_at":"2024-06-25T12:21:39+01:00","created_at":"2022-07-12T12:32:48+01:00","vendor":"Kudos","type":"LP","tags":["artist:Hecker \u0026 Okkyung Lee","CP:Multi Location Fulfillment","FP:Lasgo","FP:PHD","FP:Rockline","FP:The Fulfillment People","Hecker \u0026 Okkyung Lee","LP","nada-hidden","New"],"price":3999,"price_min":3999,"price_max":3999,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42984594702594,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SPGRM003","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hecker \u0026 Okkyung Lee LP - Statistique Synthå©Tique \/ Teum (The Silvery Slit)","public_title":null,"options":["Default Title"],"price":3999,"weight":0,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":"5050580754058","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-13T144833.747.jpg?v=1657720155"],"featured_image":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-13T144833.747.jpg?v=1657720155","options":["Title"],"media":[{"alt":null,"id":30173177479426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":800,"width":800,"src":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-13T144833.747.jpg?v=1657720155"},"aspect_ratio":1.0,"height":800,"media_type":"image","src":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-13T144833.747.jpg?v=1657720155","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eStatistique Synth„©tique draws as much from the history of computer sound synthesis as from its latest developments. But well beyond developing simply as a proof of concept, this piece aims to transcend the abstract status of synthetic sound objects and lead them to a properly hallucinatory state, that is to say to a meeting point where the object and perception dissolve into each other, in a sort of transcendental field. Beyond, also, hylomorphism, to reach the world of matter-form fusions, where perception knows how to see \"shoulders of hills\", as C„©zanne wrote.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eTeum (the Silvery Slit) is, as the title suggests, an overture, an opening to the game of multiplications, fragmentations, duplications. But it is also the opening understood as the void that blossoms between two borders, a break from which escapes a double tension, both the pulling force of these two edges which move apart and the opposite force of reconciliation, of compression. Okkyung Lee invites us to a truly telluric moment, a rare moment of expression where tectonic movements and shear stresses become music. If the earthquakes were, as we thought in the 18th century, due to underground thunderstorms, there is no doubt that this piece of music, both celestial and continental, could have been their audible manifestation.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eText by Fran„¤ois Bonnet\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eHeckerStatistique Synth„©tique2020 \/ 25'15Computer-generated sound with resynthesized situated texture recordingsWritten and produced by Florian Hecker, 2019 - 2020Texture analysis and resynthesis algorithm: Axel R„¦bel, Analysis\/Synthesis Team, IRCAM, ParisMastered by Rashad BeckerPhoto by Mauricio Guill„©n, 2019\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eThanks to Axel R„¦bel for his commitment to the project and special appreciation to GRM, Luke Fowler, Mauricio Guill„©n, Dirk Mayer and Porta33\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eLocation Texture Recordings, using DPA 4060, DPA 4017B, DPA 4021 and DPA 4060 microphones to Sound Devices 702 recorder; except segment 04:31 - 05:37, recorded by Luke Fowler, April 2019 using Sony M10.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e00:00 - 02:00 Lopud, Croatia, June 200802:00 - 03:12 Ponta do Sol, Madeira, ER 101, April 201903:12 - 04:14 Prentiss St, Cambridge, MA, February 201504:14 - 04:31 Anjos, Ponta do Sol, Madeira, ER 101, April 201904:31 - 05:37 Atelier C„©zanne, Aix-en-Provence, April 201905:37 - 08:31 Anjos, Ponta do Sol, Madeira, ER 101, April 201908:31 - 09:46 Praia dos Anjos, Ponta do Sol, Madeira, ER 101, April 201909:46 - 10:39 Private garden, Kissing, September 200910:39 - 11:15 Praia dos Anjos, Ponta do Sol, Madeira, ER 101, April 201911:15 - 15:11 Porto do Paul do Mar, Calheta, Madeira, April 201915:11 - 16:53 Prinz Eugen Strasse, Vienna, June 200816:53 - 24:27 Risco, Raba„¤al, Madeira, April 201924:27 - 25:15 Bois de Boulogne, Avenue du Mahatma Gandhi, Paris, September 2015\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e:::::::::::::::::::::::::::::\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eOkkyung LeeTeum (the Silvery Slit)2019 \/ 20'03Performed, recorded and composed by Okkyung Lee (ASCAP)Mixed by Lasse MarhaugMastered by Guuseppe IelasiPhoto by Lasse MarhaugPart of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eCut by Andreas Kauffelt at Schnittstelle, Berlin, September 2020Sleeve design by Stephen O'Malley\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eReleased in association with Editions Mego.Coordination GRM: Fran„¤ois Bonnet, Jules N„©grierExecutive Production: Peter Rehberg\u003c\/div\u003e"}

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  {"id":7739449344258,"title":"Hecker \u0026 Okkyung Lee LP - Statistique Synthå©Tique \/ Teum (The Silvery Slit)","handle":"hecker-okkyung-lee-lp-statistique-syntha-tique-teum-the-silvery-slit","description":"\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eStatistique Synth„©tique draws as much from the history of computer sound synthesis as from its latest developments. But well beyond developing simply as a proof of concept, this piece aims to transcend the abstract status of synthetic sound objects and lead them to a properly hallucinatory state, that is to say to a meeting point where the object and perception dissolve into each other, in a sort of transcendental field. Beyond, also, hylomorphism, to reach the world of matter-form fusions, where perception knows how to see \"shoulders of hills\", as C„©zanne wrote.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eTeum (the Silvery Slit) is, as the title suggests, an overture, an opening to the game of multiplications, fragmentations, duplications. But it is also the opening understood as the void that blossoms between two borders, a break from which escapes a double tension, both the pulling force of these two edges which move apart and the opposite force of reconciliation, of compression. Okkyung Lee invites us to a truly telluric moment, a rare moment of expression where tectonic movements and shear stresses become music. If the earthquakes were, as we thought in the 18th century, due to underground thunderstorms, there is no doubt that this piece of music, both celestial and continental, could have been their audible manifestation.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eText by Fran„¤ois Bonnet\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eHeckerStatistique Synth„©tique2020 \/ 25'15Computer-generated sound with resynthesized situated texture recordingsWritten and produced by Florian Hecker, 2019 - 2020Texture analysis and resynthesis algorithm: Axel R„¦bel, Analysis\/Synthesis Team, IRCAM, ParisMastered by Rashad BeckerPhoto by Mauricio Guill„©n, 2019\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eThanks to Axel R„¦bel for his commitment to the project and special appreciation to GRM, Luke Fowler, Mauricio Guill„©n, Dirk Mayer and Porta33\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eLocation Texture Recordings, using DPA 4060, DPA 4017B, DPA 4021 and DPA 4060 microphones to Sound Devices 702 recorder; except segment 04:31 - 05:37, recorded by Luke Fowler, April 2019 using Sony M10.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e00:00 - 02:00 Lopud, Croatia, June 200802:00 - 03:12 Ponta do Sol, Madeira, ER 101, April 201903:12 - 04:14 Prentiss St, Cambridge, MA, February 201504:14 - 04:31 Anjos, Ponta do Sol, Madeira, ER 101, April 201904:31 - 05:37 Atelier C„©zanne, Aix-en-Provence, April 201905:37 - 08:31 Anjos, Ponta do Sol, Madeira, ER 101, April 201908:31 - 09:46 Praia dos Anjos, Ponta do Sol, Madeira, ER 101, April 201909:46 - 10:39 Private garden, Kissing, September 200910:39 - 11:15 Praia dos Anjos, Ponta do Sol, Madeira, ER 101, April 201911:15 - 15:11 Porto do Paul do Mar, Calheta, Madeira, April 201915:11 - 16:53 Prinz Eugen Strasse, Vienna, June 200816:53 - 24:27 Risco, Raba„¤al, Madeira, April 201924:27 - 25:15 Bois de Boulogne, Avenue du Mahatma Gandhi, Paris, September 2015\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e:::::::::::::::::::::::::::::\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eOkkyung LeeTeum (the Silvery Slit)2019 \/ 20'03Performed, recorded and composed by Okkyung Lee (ASCAP)Mixed by Lasse MarhaugMastered by Guuseppe IelasiPhoto by Lasse MarhaugPart of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eCut by Andreas Kauffelt at Schnittstelle, Berlin, September 2020Sleeve design by Stephen O'Malley\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eReleased in association with Editions Mego.Coordination GRM: Fran„¤ois Bonnet, Jules N„©grierExecutive Production: Peter Rehberg\u003c\/div\u003e","published_at":"2024-06-25T12:21:39+01:00","created_at":"2022-07-12T12:32:48+01:00","vendor":"Kudos","type":"LP","tags":["artist:Hecker \u0026 Okkyung Lee","CP:Multi Location Fulfillment","FP:Lasgo","FP:PHD","FP:Rockline","FP:The Fulfillment People","Hecker \u0026 Okkyung Lee","LP","nada-hidden","New"],"price":3999,"price_min":3999,"price_max":3999,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42984594702594,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SPGRM003","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hecker \u0026 Okkyung Lee LP - Statistique Synthå©Tique \/ Teum (The Silvery Slit)","public_title":null,"options":["Default Title"],"price":3999,"weight":0,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":"5050580754058","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-13T144833.747.jpg?v=1657720155"],"featured_image":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-13T144833.747.jpg?v=1657720155","options":["Title"],"media":[{"alt":null,"id":30173177479426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":800,"width":800,"src":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-13T144833.747.jpg?v=1657720155"},"aspect_ratio":1.0,"height":800,"media_type":"image","src":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-13T144833.747.jpg?v=1657720155","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eStatistique Synth„©tique draws as much from the history of computer sound synthesis as from its latest developments. But well beyond developing simply as a proof of concept, this piece aims to transcend the abstract status of synthetic sound objects and lead them to a properly hallucinatory state, that is to say to a meeting point where the object and perception dissolve into each other, in a sort of transcendental field. Beyond, also, hylomorphism, to reach the world of matter-form fusions, where perception knows how to see \"shoulders of hills\", as C„©zanne wrote.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eTeum (the Silvery Slit) is, as the title suggests, an overture, an opening to the game of multiplications, fragmentations, duplications. But it is also the opening understood as the void that blossoms between two borders, a break from which escapes a double tension, both the pulling force of these two edges which move apart and the opposite force of reconciliation, of compression. Okkyung Lee invites us to a truly telluric moment, a rare moment of expression where tectonic movements and shear stresses become music. If the earthquakes were, as we thought in the 18th century, due to underground thunderstorms, there is no doubt that this piece of music, both celestial and continental, could have been their audible manifestation.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eText by Fran„¤ois Bonnet\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eHeckerStatistique Synth„©tique2020 \/ 25'15Computer-generated sound with resynthesized situated texture recordingsWritten and produced by Florian Hecker, 2019 - 2020Texture analysis and resynthesis algorithm: Axel R„¦bel, Analysis\/Synthesis Team, IRCAM, ParisMastered by Rashad BeckerPhoto by Mauricio Guill„©n, 2019\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eThanks to Axel R„¦bel for his commitment to the project and special appreciation to GRM, Luke Fowler, Mauricio Guill„©n, Dirk Mayer and Porta33\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eLocation Texture Recordings, using DPA 4060, DPA 4017B, DPA 4021 and DPA 4060 microphones to Sound Devices 702 recorder; except segment 04:31 - 05:37, recorded by Luke Fowler, April 2019 using Sony M10.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e00:00 - 02:00 Lopud, Croatia, June 200802:00 - 03:12 Ponta do Sol, Madeira, ER 101, April 201903:12 - 04:14 Prentiss St, Cambridge, MA, February 201504:14 - 04:31 Anjos, Ponta do Sol, Madeira, ER 101, April 201904:31 - 05:37 Atelier C„©zanne, Aix-en-Provence, April 201905:37 - 08:31 Anjos, Ponta do Sol, Madeira, ER 101, April 201908:31 - 09:46 Praia dos Anjos, Ponta do Sol, Madeira, ER 101, April 201909:46 - 10:39 Private garden, Kissing, September 200910:39 - 11:15 Praia dos Anjos, Ponta do Sol, Madeira, ER 101, April 201911:15 - 15:11 Porto do Paul do Mar, Calheta, Madeira, April 201915:11 - 16:53 Prinz Eugen Strasse, Vienna, June 200816:53 - 24:27 Risco, Raba„¤al, Madeira, April 201924:27 - 25:15 Bois de Boulogne, Avenue du Mahatma Gandhi, Paris, September 2015\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e:::::::::::::::::::::::::::::\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eOkkyung LeeTeum (the Silvery Slit)2019 \/ 20'03Performed, recorded and composed by Okkyung Lee (ASCAP)Mixed by Lasse MarhaugMastered by Guuseppe IelasiPhoto by Lasse MarhaugPart of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eCut by Andreas Kauffelt at Schnittstelle, Berlin, September 2020Sleeve design by Stephen O'Malley\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eReleased in association with Editions Mego.Coordination GRM: Fran„¤ois Bonnet, Jules N„©grierExecutive Production: Peter Rehberg\u003c\/div\u003e"}

  11 Paranoias LP - Reliquary For A Dreamed Of World

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  {"id":7739449344258,"title":"Hecker \u0026 Okkyung Lee LP - Statistique Synthå©Tique \/ Teum (The Silvery Slit)","handle":"hecker-okkyung-lee-lp-statistique-syntha-tique-teum-the-silvery-slit","description":"\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eStatistique Synth„©tique draws as much from the history of computer sound synthesis as from its latest developments. But well beyond developing simply as a proof of concept, this piece aims to transcend the abstract status of synthetic sound objects and lead them to a properly hallucinatory state, that is to say to a meeting point where the object and perception dissolve into each other, in a sort of transcendental field. Beyond, also, hylomorphism, to reach the world of matter-form fusions, where perception knows how to see \"shoulders of hills\", as C„©zanne wrote.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eTeum (the Silvery Slit) is, as the title suggests, an overture, an opening to the game of multiplications, fragmentations, duplications. But it is also the opening understood as the void that blossoms between two borders, a break from which escapes a double tension, both the pulling force of these two edges which move apart and the opposite force of reconciliation, of compression. Okkyung Lee invites us to a truly telluric moment, a rare moment of expression where tectonic movements and shear stresses become music. If the earthquakes were, as we thought in the 18th century, due to underground thunderstorms, there is no doubt that this piece of music, both celestial and continental, could have been their audible manifestation.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eText by Fran„¤ois Bonnet\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eHeckerStatistique Synth„©tique2020 \/ 25'15Computer-generated sound with resynthesized situated texture recordingsWritten and produced by Florian Hecker, 2019 - 2020Texture analysis and resynthesis algorithm: Axel R„¦bel, Analysis\/Synthesis Team, IRCAM, ParisMastered by Rashad BeckerPhoto by Mauricio Guill„©n, 2019\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eThanks to Axel R„¦bel for his commitment to the project and special appreciation to GRM, Luke Fowler, Mauricio Guill„©n, Dirk Mayer and Porta33\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eLocation Texture Recordings, using DPA 4060, DPA 4017B, DPA 4021 and DPA 4060 microphones to Sound Devices 702 recorder; except segment 04:31 - 05:37, recorded by Luke Fowler, April 2019 using Sony M10.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e00:00 - 02:00 Lopud, Croatia, June 200802:00 - 03:12 Ponta do Sol, Madeira, ER 101, April 201903:12 - 04:14 Prentiss St, Cambridge, MA, February 201504:14 - 04:31 Anjos, Ponta do Sol, Madeira, ER 101, April 201904:31 - 05:37 Atelier C„©zanne, Aix-en-Provence, April 201905:37 - 08:31 Anjos, Ponta do Sol, Madeira, ER 101, April 201908:31 - 09:46 Praia dos Anjos, Ponta do Sol, Madeira, ER 101, April 201909:46 - 10:39 Private garden, Kissing, September 200910:39 - 11:15 Praia dos Anjos, Ponta do Sol, Madeira, ER 101, April 201911:15 - 15:11 Porto do Paul do Mar, Calheta, Madeira, April 201915:11 - 16:53 Prinz Eugen Strasse, Vienna, June 200816:53 - 24:27 Risco, Raba„¤al, Madeira, April 201924:27 - 25:15 Bois de Boulogne, Avenue du Mahatma Gandhi, Paris, September 2015\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e:::::::::::::::::::::::::::::\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eOkkyung LeeTeum (the Silvery Slit)2019 \/ 20'03Performed, recorded and composed by Okkyung Lee (ASCAP)Mixed by Lasse MarhaugMastered by Guuseppe IelasiPhoto by Lasse MarhaugPart of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eCut by Andreas Kauffelt at Schnittstelle, Berlin, September 2020Sleeve design by Stephen O'Malley\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eReleased in association with Editions Mego.Coordination GRM: Fran„¤ois Bonnet, Jules N„©grierExecutive Production: Peter Rehberg\u003c\/div\u003e","published_at":"2024-06-25T12:21:39+01:00","created_at":"2022-07-12T12:32:48+01:00","vendor":"Kudos","type":"LP","tags":["artist:Hecker \u0026 Okkyung Lee","CP:Multi Location Fulfillment","FP:Lasgo","FP:PHD","FP:Rockline","FP:The Fulfillment People","Hecker \u0026 Okkyung Lee","LP","nada-hidden","New"],"price":3999,"price_min":3999,"price_max":3999,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42984594702594,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SPGRM003","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hecker \u0026 Okkyung Lee LP - Statistique Synthå©Tique \/ Teum (The Silvery Slit)","public_title":null,"options":["Default Title"],"price":3999,"weight":0,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":"5050580754058","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-13T144833.747.jpg?v=1657720155"],"featured_image":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-13T144833.747.jpg?v=1657720155","options":["Title"],"media":[{"alt":null,"id":30173177479426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":800,"width":800,"src":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-13T144833.747.jpg?v=1657720155"},"aspect_ratio":1.0,"height":800,"media_type":"image","src":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-13T144833.747.jpg?v=1657720155","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eStatistique Synth„©tique draws as much from the history of computer sound synthesis as from its latest developments. But well beyond developing simply as a proof of concept, this piece aims to transcend the abstract status of synthetic sound objects and lead them to a properly hallucinatory state, that is to say to a meeting point where the object and perception dissolve into each other, in a sort of transcendental field. Beyond, also, hylomorphism, to reach the world of matter-form fusions, where perception knows how to see \"shoulders of hills\", as C„©zanne wrote.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eTeum (the Silvery Slit) is, as the title suggests, an overture, an opening to the game of multiplications, fragmentations, duplications. But it is also the opening understood as the void that blossoms between two borders, a break from which escapes a double tension, both the pulling force of these two edges which move apart and the opposite force of reconciliation, of compression. Okkyung Lee invites us to a truly telluric moment, a rare moment of expression where tectonic movements and shear stresses become music. If the earthquakes were, as we thought in the 18th century, due to underground thunderstorms, there is no doubt that this piece of music, both celestial and continental, could have been their audible manifestation.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eText by Fran„¤ois Bonnet\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eHeckerStatistique Synth„©tique2020 \/ 25'15Computer-generated sound with resynthesized situated texture recordingsWritten and produced by Florian Hecker, 2019 - 2020Texture analysis and resynthesis algorithm: Axel R„¦bel, Analysis\/Synthesis Team, IRCAM, ParisMastered by Rashad BeckerPhoto by Mauricio Guill„©n, 2019\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eThanks to Axel R„¦bel for his commitment to the project and special appreciation to GRM, Luke Fowler, Mauricio Guill„©n, Dirk Mayer and Porta33\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eLocation Texture Recordings, using DPA 4060, DPA 4017B, DPA 4021 and DPA 4060 microphones to Sound Devices 702 recorder; except segment 04:31 - 05:37, recorded by Luke Fowler, April 2019 using Sony M10.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e00:00 - 02:00 Lopud, Croatia, June 200802:00 - 03:12 Ponta do Sol, Madeira, ER 101, April 201903:12 - 04:14 Prentiss St, Cambridge, MA, February 201504:14 - 04:31 Anjos, Ponta do Sol, Madeira, ER 101, April 201904:31 - 05:37 Atelier C„©zanne, Aix-en-Provence, April 201905:37 - 08:31 Anjos, Ponta do Sol, Madeira, ER 101, April 201908:31 - 09:46 Praia dos Anjos, Ponta do Sol, Madeira, ER 101, April 201909:46 - 10:39 Private garden, Kissing, September 200910:39 - 11:15 Praia dos Anjos, Ponta do Sol, Madeira, ER 101, April 201911:15 - 15:11 Porto do Paul do Mar, Calheta, Madeira, April 201915:11 - 16:53 Prinz Eugen Strasse, Vienna, June 200816:53 - 24:27 Risco, Raba„¤al, Madeira, April 201924:27 - 25:15 Bois de Boulogne, Avenue du Mahatma Gandhi, Paris, September 2015\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e:::::::::::::::::::::::::::::\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eOkkyung LeeTeum (the Silvery Slit)2019 \/ 20'03Performed, recorded and composed by Okkyung Lee (ASCAP)Mixed by Lasse MarhaugMastered by Guuseppe IelasiPhoto by Lasse MarhaugPart of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eCut by Andreas Kauffelt at Schnittstelle, Berlin, September 2020Sleeve design by Stephen O'Malley\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eReleased in association with Editions Mego.Coordination GRM: Fran„¤ois Bonnet, Jules N„©grierExecutive Production: Peter Rehberg\u003c\/div\u003e"}

  11 Paranoias LP - Stealing Fire From Heaven

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• 

  {"id":7739449344258,"title":"Hecker \u0026 Okkyung Lee LP - Statistique Synthå©Tique \/ Teum (The Silvery Slit)","handle":"hecker-okkyung-lee-lp-statistique-syntha-tique-teum-the-silvery-slit","description":"\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eStatistique Synth„©tique draws as much from the history of computer sound synthesis as from its latest developments. But well beyond developing simply as a proof of concept, this piece aims to transcend the abstract status of synthetic sound objects and lead them to a properly hallucinatory state, that is to say to a meeting point where the object and perception dissolve into each other, in a sort of transcendental field. Beyond, also, hylomorphism, to reach the world of matter-form fusions, where perception knows how to see \"shoulders of hills\", as C„©zanne wrote.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eTeum (the Silvery Slit) is, as the title suggests, an overture, an opening to the game of multiplications, fragmentations, duplications. But it is also the opening understood as the void that blossoms between two borders, a break from which escapes a double tension, both the pulling force of these two edges which move apart and the opposite force of reconciliation, of compression. Okkyung Lee invites us to a truly telluric moment, a rare moment of expression where tectonic movements and shear stresses become music. If the earthquakes were, as we thought in the 18th century, due to underground thunderstorms, there is no doubt that this piece of music, both celestial and continental, could have been their audible manifestation.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eText by Fran„¤ois Bonnet\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eHeckerStatistique Synth„©tique2020 \/ 25'15Computer-generated sound with resynthesized situated texture recordingsWritten and produced by Florian Hecker, 2019 - 2020Texture analysis and resynthesis algorithm: Axel R„¦bel, Analysis\/Synthesis Team, IRCAM, ParisMastered by Rashad BeckerPhoto by Mauricio Guill„©n, 2019\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eThanks to Axel R„¦bel for his commitment to the project and special appreciation to GRM, Luke Fowler, Mauricio Guill„©n, Dirk Mayer and Porta33\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eLocation Texture Recordings, using DPA 4060, DPA 4017B, DPA 4021 and DPA 4060 microphones to Sound Devices 702 recorder; except segment 04:31 - 05:37, recorded by Luke Fowler, April 2019 using Sony M10.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e00:00 - 02:00 Lopud, Croatia, June 200802:00 - 03:12 Ponta do Sol, Madeira, ER 101, April 201903:12 - 04:14 Prentiss St, Cambridge, MA, February 201504:14 - 04:31 Anjos, Ponta do Sol, Madeira, ER 101, April 201904:31 - 05:37 Atelier C„©zanne, Aix-en-Provence, April 201905:37 - 08:31 Anjos, Ponta do Sol, Madeira, ER 101, April 201908:31 - 09:46 Praia dos Anjos, Ponta do Sol, Madeira, ER 101, April 201909:46 - 10:39 Private garden, Kissing, September 200910:39 - 11:15 Praia dos Anjos, Ponta do Sol, Madeira, ER 101, April 201911:15 - 15:11 Porto do Paul do Mar, Calheta, Madeira, April 201915:11 - 16:53 Prinz Eugen Strasse, Vienna, June 200816:53 - 24:27 Risco, Raba„¤al, Madeira, April 201924:27 - 25:15 Bois de Boulogne, Avenue du Mahatma Gandhi, Paris, September 2015\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e:::::::::::::::::::::::::::::\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eOkkyung LeeTeum (the Silvery Slit)2019 \/ 20'03Performed, recorded and composed by Okkyung Lee (ASCAP)Mixed by Lasse MarhaugMastered by Guuseppe IelasiPhoto by Lasse MarhaugPart of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eCut by Andreas Kauffelt at Schnittstelle, Berlin, September 2020Sleeve design by Stephen O'Malley\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eReleased in association with Editions Mego.Coordination GRM: Fran„¤ois Bonnet, Jules N„©grierExecutive Production: Peter Rehberg\u003c\/div\u003e","published_at":"2024-06-25T12:21:39+01:00","created_at":"2022-07-12T12:32:48+01:00","vendor":"Kudos","type":"LP","tags":["artist:Hecker \u0026 Okkyung Lee","CP:Multi Location Fulfillment","FP:Lasgo","FP:PHD","FP:Rockline","FP:The Fulfillment People","Hecker \u0026 Okkyung Lee","LP","nada-hidden","New"],"price":3999,"price_min":3999,"price_max":3999,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42984594702594,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SPGRM003","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hecker \u0026 Okkyung Lee LP - Statistique Synthå©Tique \/ Teum (The Silvery Slit)","public_title":null,"options":["Default Title"],"price":3999,"weight":0,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":"5050580754058","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-13T144833.747.jpg?v=1657720155"],"featured_image":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-13T144833.747.jpg?v=1657720155","options":["Title"],"media":[{"alt":null,"id":30173177479426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":800,"width":800,"src":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-13T144833.747.jpg?v=1657720155"},"aspect_ratio":1.0,"height":800,"media_type":"image","src":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-13T144833.747.jpg?v=1657720155","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eStatistique Synth„©tique draws as much from the history of computer sound synthesis as from its latest developments. But well beyond developing simply as a proof of concept, this piece aims to transcend the abstract status of synthetic sound objects and lead them to a properly hallucinatory state, that is to say to a meeting point where the object and perception dissolve into each other, in a sort of transcendental field. Beyond, also, hylomorphism, to reach the world of matter-form fusions, where perception knows how to see \"shoulders of hills\", as C„©zanne wrote.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eTeum (the Silvery Slit) is, as the title suggests, an overture, an opening to the game of multiplications, fragmentations, duplications. But it is also the opening understood as the void that blossoms between two borders, a break from which escapes a double tension, both the pulling force of these two edges which move apart and the opposite force of reconciliation, of compression. Okkyung Lee invites us to a truly telluric moment, a rare moment of expression where tectonic movements and shear stresses become music. If the earthquakes were, as we thought in the 18th century, due to underground thunderstorms, there is no doubt that this piece of music, both celestial and continental, could have been their audible manifestation.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eText by Fran„¤ois Bonnet\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eHeckerStatistique Synth„©tique2020 \/ 25'15Computer-generated sound with resynthesized situated texture recordingsWritten and produced by Florian Hecker, 2019 - 2020Texture analysis and resynthesis algorithm: Axel R„¦bel, Analysis\/Synthesis Team, IRCAM, ParisMastered by Rashad BeckerPhoto by Mauricio Guill„©n, 2019\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eThanks to Axel R„¦bel for his commitment to the project and special appreciation to GRM, Luke Fowler, Mauricio Guill„©n, Dirk Mayer and Porta33\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eLocation Texture Recordings, using DPA 4060, DPA 4017B, DPA 4021 and DPA 4060 microphones to Sound Devices 702 recorder; except segment 04:31 - 05:37, recorded by Luke Fowler, April 2019 using Sony M10.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e00:00 - 02:00 Lopud, Croatia, June 200802:00 - 03:12 Ponta do Sol, Madeira, ER 101, April 201903:12 - 04:14 Prentiss St, Cambridge, MA, February 201504:14 - 04:31 Anjos, Ponta do Sol, Madeira, ER 101, April 201904:31 - 05:37 Atelier C„©zanne, Aix-en-Provence, April 201905:37 - 08:31 Anjos, Ponta do Sol, Madeira, ER 101, April 201908:31 - 09:46 Praia dos Anjos, Ponta do Sol, Madeira, ER 101, April 201909:46 - 10:39 Private garden, Kissing, September 200910:39 - 11:15 Praia dos Anjos, Ponta do Sol, Madeira, ER 101, April 201911:15 - 15:11 Porto do Paul do Mar, Calheta, Madeira, April 201915:11 - 16:53 Prinz Eugen Strasse, Vienna, June 200816:53 - 24:27 Risco, Raba„¤al, Madeira, April 201924:27 - 25:15 Bois de Boulogne, Avenue du Mahatma Gandhi, Paris, September 2015\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e:::::::::::::::::::::::::::::\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eOkkyung LeeTeum (the Silvery Slit)2019 \/ 20'03Performed, recorded and composed by Okkyung Lee (ASCAP)Mixed by Lasse MarhaugMastered by Guuseppe IelasiPhoto by Lasse MarhaugPart of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eCut by Andreas Kauffelt at Schnittstelle, Berlin, September 2020Sleeve design by Stephen O'Malley\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eReleased in association with Editions Mego.Coordination GRM: Fran„¤ois Bonnet, Jules N„©grierExecutive Production: Peter Rehberg\u003c\/div\u003e"}

  1201_Alarm LP - Hello_World

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  {"id":7739449344258,"title":"Hecker \u0026 Okkyung Lee LP - Statistique Synthå©Tique \/ Teum (The Silvery Slit)","handle":"hecker-okkyung-lee-lp-statistique-syntha-tique-teum-the-silvery-slit","description":"\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eStatistique Synth„©tique draws as much from the history of computer sound synthesis as from its latest developments. But well beyond developing simply as a proof of concept, this piece aims to transcend the abstract status of synthetic sound objects and lead them to a properly hallucinatory state, that is to say to a meeting point where the object and perception dissolve into each other, in a sort of transcendental field. Beyond, also, hylomorphism, to reach the world of matter-form fusions, where perception knows how to see \"shoulders of hills\", as C„©zanne wrote.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eTeum (the Silvery Slit) is, as the title suggests, an overture, an opening to the game of multiplications, fragmentations, duplications. But it is also the opening understood as the void that blossoms between two borders, a break from which escapes a double tension, both the pulling force of these two edges which move apart and the opposite force of reconciliation, of compression. Okkyung Lee invites us to a truly telluric moment, a rare moment of expression where tectonic movements and shear stresses become music. If the earthquakes were, as we thought in the 18th century, due to underground thunderstorms, there is no doubt that this piece of music, both celestial and continental, could have been their audible manifestation.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eText by Fran„¤ois Bonnet\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eHeckerStatistique Synth„©tique2020 \/ 25'15Computer-generated sound with resynthesized situated texture recordingsWritten and produced by Florian Hecker, 2019 - 2020Texture analysis and resynthesis algorithm: Axel R„¦bel, Analysis\/Synthesis Team, IRCAM, ParisMastered by Rashad BeckerPhoto by Mauricio Guill„©n, 2019\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eThanks to Axel R„¦bel for his commitment to the project and special appreciation to GRM, Luke Fowler, Mauricio Guill„©n, Dirk Mayer and Porta33\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eLocation Texture Recordings, using DPA 4060, DPA 4017B, DPA 4021 and DPA 4060 microphones to Sound Devices 702 recorder; except segment 04:31 - 05:37, recorded by Luke Fowler, April 2019 using Sony M10.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e00:00 - 02:00 Lopud, Croatia, June 200802:00 - 03:12 Ponta do Sol, Madeira, ER 101, April 201903:12 - 04:14 Prentiss St, Cambridge, MA, February 201504:14 - 04:31 Anjos, Ponta do Sol, Madeira, ER 101, April 201904:31 - 05:37 Atelier C„©zanne, Aix-en-Provence, April 201905:37 - 08:31 Anjos, Ponta do Sol, Madeira, ER 101, April 201908:31 - 09:46 Praia dos Anjos, Ponta do Sol, Madeira, ER 101, April 201909:46 - 10:39 Private garden, Kissing, September 200910:39 - 11:15 Praia dos Anjos, Ponta do Sol, Madeira, ER 101, April 201911:15 - 15:11 Porto do Paul do Mar, Calheta, Madeira, April 201915:11 - 16:53 Prinz Eugen Strasse, Vienna, June 200816:53 - 24:27 Risco, Raba„¤al, Madeira, April 201924:27 - 25:15 Bois de Boulogne, Avenue du Mahatma Gandhi, Paris, September 2015\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e:::::::::::::::::::::::::::::\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eOkkyung LeeTeum (the Silvery Slit)2019 \/ 20'03Performed, recorded and composed by Okkyung Lee (ASCAP)Mixed by Lasse MarhaugMastered by Guuseppe IelasiPhoto by Lasse MarhaugPart of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eCut by Andreas Kauffelt at Schnittstelle, Berlin, September 2020Sleeve design by Stephen O'Malley\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eReleased in association with Editions Mego.Coordination GRM: Fran„¤ois Bonnet, Jules N„©grierExecutive Production: Peter Rehberg\u003c\/div\u003e","published_at":"2024-06-25T12:21:39+01:00","created_at":"2022-07-12T12:32:48+01:00","vendor":"Kudos","type":"LP","tags":["artist:Hecker \u0026 Okkyung Lee","CP:Multi Location Fulfillment","FP:Lasgo","FP:PHD","FP:Rockline","FP:The Fulfillment People","Hecker \u0026 Okkyung Lee","LP","nada-hidden","New"],"price":3999,"price_min":3999,"price_max":3999,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42984594702594,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SPGRM003","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hecker \u0026 Okkyung Lee LP - Statistique Synthå©Tique \/ Teum (The Silvery Slit)","public_title":null,"options":["Default Title"],"price":3999,"weight":0,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":"5050580754058","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-13T144833.747.jpg?v=1657720155"],"featured_image":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-13T144833.747.jpg?v=1657720155","options":["Title"],"media":[{"alt":null,"id":30173177479426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":800,"width":800,"src":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-13T144833.747.jpg?v=1657720155"},"aspect_ratio":1.0,"height":800,"media_type":"image","src":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-13T144833.747.jpg?v=1657720155","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eStatistique Synth„©tique draws as much from the history of computer sound synthesis as from its latest developments. But well beyond developing simply as a proof of concept, this piece aims to transcend the abstract status of synthetic sound objects and lead them to a properly hallucinatory state, that is to say to a meeting point where the object and perception dissolve into each other, in a sort of transcendental field. Beyond, also, hylomorphism, to reach the world of matter-form fusions, where perception knows how to see \"shoulders of hills\", as C„©zanne wrote.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eTeum (the Silvery Slit) is, as the title suggests, an overture, an opening to the game of multiplications, fragmentations, duplications. But it is also the opening understood as the void that blossoms between two borders, a break from which escapes a double tension, both the pulling force of these two edges which move apart and the opposite force of reconciliation, of compression. Okkyung Lee invites us to a truly telluric moment, a rare moment of expression where tectonic movements and shear stresses become music. If the earthquakes were, as we thought in the 18th century, due to underground thunderstorms, there is no doubt that this piece of music, both celestial and continental, could have been their audible manifestation.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eText by Fran„¤ois Bonnet\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eHeckerStatistique Synth„©tique2020 \/ 25'15Computer-generated sound with resynthesized situated texture recordingsWritten and produced by Florian Hecker, 2019 - 2020Texture analysis and resynthesis algorithm: Axel R„¦bel, Analysis\/Synthesis Team, IRCAM, ParisMastered by Rashad BeckerPhoto by Mauricio Guill„©n, 2019\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eThanks to Axel R„¦bel for his commitment to the project and special appreciation to GRM, Luke Fowler, Mauricio Guill„©n, Dirk Mayer and Porta33\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eLocation Texture Recordings, using DPA 4060, DPA 4017B, DPA 4021 and DPA 4060 microphones to Sound Devices 702 recorder; except segment 04:31 - 05:37, recorded by Luke Fowler, April 2019 using Sony M10.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e00:00 - 02:00 Lopud, Croatia, June 200802:00 - 03:12 Ponta do Sol, Madeira, ER 101, April 201903:12 - 04:14 Prentiss St, Cambridge, MA, February 201504:14 - 04:31 Anjos, Ponta do Sol, Madeira, ER 101, April 201904:31 - 05:37 Atelier C„©zanne, Aix-en-Provence, April 201905:37 - 08:31 Anjos, Ponta do Sol, Madeira, ER 101, April 201908:31 - 09:46 Praia dos Anjos, Ponta do Sol, Madeira, ER 101, April 201909:46 - 10:39 Private garden, Kissing, September 200910:39 - 11:15 Praia dos Anjos, Ponta do Sol, Madeira, ER 101, April 201911:15 - 15:11 Porto do Paul do Mar, Calheta, Madeira, April 201915:11 - 16:53 Prinz Eugen Strasse, Vienna, June 200816:53 - 24:27 Risco, Raba„¤al, Madeira, April 201924:27 - 25:15 Bois de Boulogne, Avenue du Mahatma Gandhi, Paris, September 2015\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e:::::::::::::::::::::::::::::\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eOkkyung LeeTeum (the Silvery Slit)2019 \/ 20'03Performed, recorded and composed by Okkyung Lee (ASCAP)Mixed by Lasse MarhaugMastered by Guuseppe IelasiPhoto by Lasse MarhaugPart of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eCut by Andreas Kauffelt at Schnittstelle, Berlin, September 2020Sleeve design by Stephen O'Malley\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eReleased in association with Editions Mego.Coordination GRM: Fran„¤ois Bonnet, Jules N„©grierExecutive Production: Peter Rehberg\u003c\/div\u003e"}

  1349 LP - Massive Cauldron Of Chaos (Special Edition Black/White Vinyl)

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  {"id":7739449344258,"title":"Hecker \u0026 Okkyung Lee LP - Statistique Synthå©Tique \/ Teum (The Silvery Slit)","handle":"hecker-okkyung-lee-lp-statistique-syntha-tique-teum-the-silvery-slit","description":"\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eStatistique Synth„©tique draws as much from the history of computer sound synthesis as from its latest developments. But well beyond developing simply as a proof of concept, this piece aims to transcend the abstract status of synthetic sound objects and lead them to a properly hallucinatory state, that is to say to a meeting point where the object and perception dissolve into each other, in a sort of transcendental field. Beyond, also, hylomorphism, to reach the world of matter-form fusions, where perception knows how to see \"shoulders of hills\", as C„©zanne wrote.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eTeum (the Silvery Slit) is, as the title suggests, an overture, an opening to the game of multiplications, fragmentations, duplications. But it is also the opening understood as the void that blossoms between two borders, a break from which escapes a double tension, both the pulling force of these two edges which move apart and the opposite force of reconciliation, of compression. Okkyung Lee invites us to a truly telluric moment, a rare moment of expression where tectonic movements and shear stresses become music. If the earthquakes were, as we thought in the 18th century, due to underground thunderstorms, there is no doubt that this piece of music, both celestial and continental, could have been their audible manifestation.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eText by Fran„¤ois Bonnet\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eHeckerStatistique Synth„©tique2020 \/ 25'15Computer-generated sound with resynthesized situated texture recordingsWritten and produced by Florian Hecker, 2019 - 2020Texture analysis and resynthesis algorithm: Axel R„¦bel, Analysis\/Synthesis Team, IRCAM, ParisMastered by Rashad BeckerPhoto by Mauricio Guill„©n, 2019\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eThanks to Axel R„¦bel for his commitment to the project and special appreciation to GRM, Luke Fowler, Mauricio Guill„©n, Dirk Mayer and Porta33\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eLocation Texture Recordings, using DPA 4060, DPA 4017B, DPA 4021 and DPA 4060 microphones to Sound Devices 702 recorder; except segment 04:31 - 05:37, recorded by Luke Fowler, April 2019 using Sony M10.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e00:00 - 02:00 Lopud, Croatia, June 200802:00 - 03:12 Ponta do Sol, Madeira, ER 101, April 201903:12 - 04:14 Prentiss St, Cambridge, MA, February 201504:14 - 04:31 Anjos, Ponta do Sol, Madeira, ER 101, April 201904:31 - 05:37 Atelier C„©zanne, Aix-en-Provence, April 201905:37 - 08:31 Anjos, Ponta do Sol, Madeira, ER 101, April 201908:31 - 09:46 Praia dos Anjos, Ponta do Sol, Madeira, ER 101, April 201909:46 - 10:39 Private garden, Kissing, September 200910:39 - 11:15 Praia dos Anjos, Ponta do Sol, Madeira, ER 101, April 201911:15 - 15:11 Porto do Paul do Mar, Calheta, Madeira, April 201915:11 - 16:53 Prinz Eugen Strasse, Vienna, June 200816:53 - 24:27 Risco, Raba„¤al, Madeira, April 201924:27 - 25:15 Bois de Boulogne, Avenue du Mahatma Gandhi, Paris, September 2015\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e:::::::::::::::::::::::::::::\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eOkkyung LeeTeum (the Silvery Slit)2019 \/ 20'03Performed, recorded and composed by Okkyung Lee (ASCAP)Mixed by Lasse MarhaugMastered by Guuseppe IelasiPhoto by Lasse MarhaugPart of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eCut by Andreas Kauffelt at Schnittstelle, Berlin, September 2020Sleeve design by Stephen O'Malley\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eReleased in association with Editions Mego.Coordination GRM: Fran„¤ois Bonnet, Jules N„©grierExecutive Production: Peter Rehberg\u003c\/div\u003e","published_at":"2024-06-25T12:21:39+01:00","created_at":"2022-07-12T12:32:48+01:00","vendor":"Kudos","type":"LP","tags":["artist:Hecker \u0026 Okkyung Lee","CP:Multi Location Fulfillment","FP:Lasgo","FP:PHD","FP:Rockline","FP:The Fulfillment People","Hecker \u0026 Okkyung Lee","LP","nada-hidden","New"],"price":3999,"price_min":3999,"price_max":3999,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42984594702594,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"SPGRM003","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hecker \u0026 Okkyung Lee LP - Statistique Synthå©Tique \/ Teum (The Silvery Slit)","public_title":null,"options":["Default Title"],"price":3999,"weight":0,"compare_at_price":null,"inventory_quantity":2,"inventory_management":"shopify","inventory_policy":"deny","barcode":"5050580754058","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-13T144833.747.jpg?v=1657720155"],"featured_image":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-13T144833.747.jpg?v=1657720155","options":["Title"],"media":[{"alt":null,"id":30173177479426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":800,"width":800,"src":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-13T144833.747.jpg?v=1657720155"},"aspect_ratio":1.0,"height":800,"media_type":"image","src":"\/\/www.wearerocksax.com\/cdn\/shop\/products\/cover.ki-2022-07-13T144833.747.jpg?v=1657720155","width":800}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eStatistique Synth„©tique draws as much from the history of computer sound synthesis as from its latest developments. But well beyond developing simply as a proof of concept, this piece aims to transcend the abstract status of synthetic sound objects and lead them to a properly hallucinatory state, that is to say to a meeting point where the object and perception dissolve into each other, in a sort of transcendental field. Beyond, also, hylomorphism, to reach the world of matter-form fusions, where perception knows how to see \"shoulders of hills\", as C„©zanne wrote.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eTeum (the Silvery Slit) is, as the title suggests, an overture, an opening to the game of multiplications, fragmentations, duplications. But it is also the opening understood as the void that blossoms between two borders, a break from which escapes a double tension, both the pulling force of these two edges which move apart and the opposite force of reconciliation, of compression. Okkyung Lee invites us to a truly telluric moment, a rare moment of expression where tectonic movements and shear stresses become music. If the earthquakes were, as we thought in the 18th century, due to underground thunderstorms, there is no doubt that this piece of music, both celestial and continental, could have been their audible manifestation.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eText by Fran„¤ois Bonnet\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eHeckerStatistique Synth„©tique2020 \/ 25'15Computer-generated sound with resynthesized situated texture recordingsWritten and produced by Florian Hecker, 2019 - 2020Texture analysis and resynthesis algorithm: Axel R„¦bel, Analysis\/Synthesis Team, IRCAM, ParisMastered by Rashad BeckerPhoto by Mauricio Guill„©n, 2019\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eThanks to Axel R„¦bel for his commitment to the project and special appreciation to GRM, Luke Fowler, Mauricio Guill„©n, Dirk Mayer and Porta33\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eLocation Texture Recordings, using DPA 4060, DPA 4017B, DPA 4021 and DPA 4060 microphones to Sound Devices 702 recorder; except segment 04:31 - 05:37, recorded by Luke Fowler, April 2019 using Sony M10.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e00:00 - 02:00 Lopud, Croatia, June 200802:00 - 03:12 Ponta do Sol, Madeira, ER 101, April 201903:12 - 04:14 Prentiss St, Cambridge, MA, February 201504:14 - 04:31 Anjos, Ponta do Sol, Madeira, ER 101, April 201904:31 - 05:37 Atelier C„©zanne, Aix-en-Provence, April 201905:37 - 08:31 Anjos, Ponta do Sol, Madeira, ER 101, April 201908:31 - 09:46 Praia dos Anjos, Ponta do Sol, Madeira, ER 101, April 201909:46 - 10:39 Private garden, Kissing, September 200910:39 - 11:15 Praia dos Anjos, Ponta do Sol, Madeira, ER 101, April 201911:15 - 15:11 Porto do Paul do Mar, Calheta, Madeira, April 201915:11 - 16:53 Prinz Eugen Strasse, Vienna, June 200816:53 - 24:27 Risco, Raba„¤al, Madeira, April 201924:27 - 25:15 Bois de Boulogne, Avenue du Mahatma Gandhi, Paris, September 2015\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e:::::::::::::::::::::::::::::\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eOkkyung LeeTeum (the Silvery Slit)2019 \/ 20'03Performed, recorded and composed by Okkyung Lee (ASCAP)Mixed by Lasse MarhaugMastered by Guuseppe IelasiPhoto by Lasse MarhaugPart of Re-Imagine Europe, co-funded by the Creative Europe Programme of the European Union.\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eCut by Andreas Kauffelt at Schnittstelle, Berlin, September 2020Sleeve design by Stephen O'Malley\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"ewa-rteLine\" data-mce-fragment=\"1\"\u003eReleased in association with Editions Mego.Coordination GRM: Fran„¤ois Bonnet, Jules N„©grierExecutive Production: Peter Rehberg\u003c\/div\u003e"}

  1975 LP Vinyl Record - Notes On A Conditional Form - Clear Vinyl

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